伍迪艾伦英语作文 伍迪·艾伦英文参考文献

作为导演的伍迪·艾伦 By ALLEN: books—

Don’t Drink the Water(play), 1967.

Play It Again, Sam(play), 1969.

Getting Even, New York, 1971.

Death: A Comedy in One ActandGod: A Comedy in One Act(plays), 1975.

Without Feathers, New York, 1975.

Side Effects, New York, 1980.

The Floating Lightbulb(play), New York, 1982.

Four Films of Woody Allen(Annie Hall,Interiors,Manhattan,Stardust Memories), New York, 1982.

Hannah and Her Sisters, New York, 1987.

Three Films of Woody Allen(Zelig,Broadway Danny Rose,ThePurple Rose of Cairo), New York, 1987.

The Complete Prose of Woody Allen(containsGetting Even, WithoutFeathers, andSide Effects), New York, 1992.

The Illustrated Woody Allen Reader, edited by Linda Sunshine, New York, 1993.

Woody Allen on Woody Allen: In Conversation with Stig Bjorkman, London, 1994.

By ALLEN: articles—

“Woody Allen Interview,” with Robert Mundy and Stephen Mamber, inCinema(Beverly Hills), Winter 1972/73.

“The Art of Comedy: Woody Allen andSleeper,” interview with J. Trotsky, inFilmmakers Newsletter(Ward Hill, Massachusetts), Summer 1974.

“A Conversation with the Real Woody Allen (or Someone Just like Him),” with K. Kelley, inRolling Stone(New York), 1 July 1976.

“Woody Allen Is Feeling Better,” interview with B. Drew, inAmerican Film(Washington, D.C.), May 1977.

“Comedy Directors: Interviews with Woody Allen,” with M. Karman, inMillimeter(New York), October 1977.

“Scenes from a Mind,” interview with I. Halberstadt, inTake One(Montreal), November 1978.

“Vous avez dit Woody?,” interview with Robert Benayoun, inPositif(Paris), May 1984.

“The Kobal Tapes: Woody Allen,” interview with John Kobal, inFilms and Filming(London), December 1985.

“Fears of a Clown,” an interview with Tom Shales, and “Killing Joke,” an interview with Roger Ebert, inTime Out(London), 1 November 1989.

Interview with Silvio Bizio, inEmpire(London), August 1990.

“The Heart Wants What It Wants,” an interview with Walter Isaacson, inTime, 31 August 1992.

“Unhappily Ever After,” an interview with J. Adler and others, inNewsweek, 31 August 1992.

Interview with S. Bjorkman, inCahiers du Cinema(Paris), vol. 87, 1992.

Interview with A. DeCurtis, inRolling Stone, 16 September 1993.

“Rationality and the Fear of Death,” inThe Metaphysics of Death, edited by John Martin Fischer, 1993.

Interview withStuds Terkel, inFour Decades with Studs Terkel, audiocassette collection of interviews with various figures (recorded between 1955 and 1989), HighBridge Company, 1993.

“Woody Allen in Exile” (also cited as “‘So, You’re the Great Woody Allen?’ A Man on the Street Asked Him”), an interview with Bill Zehme, inEsquire(New York), October 1994.

“Biting the Bullets,” interview with Geoff Andrew, inTime Out(London), 5 April 1995.

“Play It Again, Man,” interview with Linton Chiswick, inTime Out(London), 13 March 1996.

“Bullets over Broadway Danny Rose of Cairo: The Continuous Career of Woody Allen,” an interview with Tomm Carroll, inDGA(Los Angeles), May-June 1996.

Interview with Olivier De Bruyn, inPositif(Paris), February 1999.

By ALLEN: television interviews—

Interview with Morley Safer, broadcast on the60 Minutestelevision program, Columbia Broadcasting System, 13 December 1987.

Interview with Steve Croft, broadcast on the60 Minutestelevision program, Columbia Broadcasting System, 22 November 1992.

Interview with Melvyn Bragg, broadcast onThe South Bank Show, London, 16 January 1994.

“Woody!,” an interview with Bob Costas, broadcast in two segments on theDateline NBCtelevision program, National Broadcasting Company, 29 and 30 November 1994.

On ALLEN: books—

Lax, Eric,On Being Funny: Woody Allen and Comedy, New York, 1975.

Yacowar, Maurice,Loser Take All: The Comic Art of Woody Allen, Oxford, 1979; expanded edition, 1991.

Jacobs, Diane,. . . But We Need the Eggs: The Magic of Woody Allen, New York, 1982.

Brode, Douglas,Woody Allen: His Films and Career, London, 1985.

Benayoun, Robert,Woody Allen: Beyond Words, London, 1987; asThe Films of Woody Allen, New York, 1987.

Bendazzi, Giannalberto,The Films of Woody Allen, Florence, 1987.

de Navacelle, Thierry,Woody Allen on Location, London, 1987.

Pogel, Nancy,Woody Allen, Boston 1987.

Sinyard, Neil,The Films of Woody Allen, London, 1987.

Altman, Mark A.,Woody Allen Encyclopedia: Almost EverythingYou Wanted to Know about the Woodster but Were Afraid to Ask, Pioneer Books, 1990.

McCann, Graham,Woody Allen: New Yorker, New York, 1990.

Hirsch, Foster,Love, Sex, Death, and the Meaning of Life: The Filmsof Woody Allen, revised and updated, Limelight, 1991.

Lax, Eric,Woody Allen: A Biography, London, 1991.

Weimann, Frank,Everything You Always Wanted to Know aboutWoody Allen, New York, 1991.

Wernblad, Annette,Brooklyn Is Not Expanding: Woody Allen’sComic Universe, Rutherford, New Jersey, 1992.

Carroll, Tim,Woody and His Women, London, 1993.

Girgus, Sam B.,The Films of Woody Allen, Cambridge, 1993.

Groteke, Kristi,Woody and Mia: The Nanny’s Tale, London, 1994.

Spignesi, Stephen,The Woody Allen Companion, London, 1994.

Blake, Richard A.,Woody Allen: Profane and Sacred, Lanham, 1995.

Hamill, Brian,Woody Allen at Work: The Photographs of BrianHamill, New York, 1995.

Lee, Sander H.,Woody Allen’s Angst: Philosophical Commentarieson His Serious Films, Jefferson, 1996.

Curry, Renee R., ed.Perspectives on Woody Allen, New York, 1996.

Fox, Julian,Woody: Movies from Manhattan, New York, 1997.

Nichols, Mary P.,Reconstructing Woody: Art, Love, and Life in theFilms of Woody Allen, Lanham, Maryland, 1998.

Baxter, John,Woody Allen: A Biography, New York, 1999.

Meade, Marion,The Unruly Life of Woody Allen: A Biography, Boston, 2000.

On ALLEN: articles—

“Woody, Woody Everywhere,” inTime(New York), 14 April 1967.

“Woody Allen Issue,” ofCinema(Beverly Hills), Winter 1972/73.

Wasserman, Harry, “Woody Allen: Stumbling through the Looking Glass,” inVelvet Light Trap(Madison), Winter 1972/73.

Maltin, Leonard, “Take Woody Allen—Please!,” inFilm Comment(New York), March-April 1974.

Remond, A., ”Annie Hall,” inAvant-Scène du Cinéma(Paris), 15 December 1977.

Yacowar, Maurice, “Forms of Coherence in the Woody Allen Comedies,” inWide Angle(Athens, Ohio), no. 2, 1979.

Canby, Vincent, “Film View: Notes on Woody Allen and American Comedy,” inNew York Times, 13 May 1979.

Dempsey, M., “The Autobiography of Woody Allen,” inFilmComment(New York), May/June 1979.

Teitelbaum, D., “Producing Woody: An Interview with Charles H. Joffe,” inCinema Papers(Melbourne), April/May 1980.

Combs, Richard, “Chameleon Days: Reflections on Non-Being,” inMonthly Film Bulletin(London), November 1983.

Lahr, John, inAutomatic Vaudeville: Essays on Star Turns, New York, 1984.

Liebman, R.L., “Rabbis or Rakes, Schlemiels or Supermen? Jewish Identity in Charles Chaplin, Jerry Lewis and Woody Allen,” inLiterature/Film Quarterly(Salisbury, Maryland), July 1984.

Caryn James, “Auteur! Auteur! The Creative Mind of Woody Allen,” inNew York Times Magazine, 19 January 1986.

“Woody Allen Section,” ofFilm Comment(New York), May-June 1986.

Combs, Richard, “A Trajectory Built for Two,” inMonthly FilmBulletin(London), July 1986.

Morris, Christopher, “Woody Allen’s Comic Irony,” inLiterature/Film Quarterly(Salisbury, Maryland), vol. 15, no. 3, 1987.

Yacowar, Maurice, “Beyond Parody: Woody Allen in the Eighties,” inPost Script(Jacksonville, Florida), Winter 1987.

Dunne, Michael, ”Stardust Memories, The Purple Rose of Cairo, and the Tradition of Metafiction,” inFilm Criticism(Meadville, Pennsylvania), Fall 1987.

Preussner, Arnold W., “Woody Allen’sThe Purple Rose of Cairoand the Genres of Comedy,” and Paul Salmon and Helen Bragg, “Woody Allen’s Economy of Means: An Introduction toHannahand Her Sisters,” inLiterature/Film Quarterly(Salisbury, Maryland), vol. 16, no. 1, 1988.

“Woody Allen,” inFilm Dope(London), March 1988.

Downing, Crystal, “Broadway Roses: Woody Allen’s Romantic Inheritance,” and Ronald D. LeBlanc, ”Love and Deathand Food: Woody Allen’s Comic Use of Gastronomy,” inLiterature/Film Quarterly(Salisbury, Maryland), vol. 17, no. 1, 1989.

Girlanda, E., and A. Tella, “Allen: Manhattan Transfer,” inCastotoCinema, July/August 1990.

Comuzio, E., ”Alice,” inCinema Forum, vol. 31, 1991.

Green, D., “The Comedian’s Dilemma: Woody Allen’s ‘Serious’ Comedy,” inLiterature/Film Quarterly, vol. 19, no. 2, 1991.

Tutt, R., “Truth, Beauty, and Travesty: Woody Allen’s Well-wrought Run,” inLiterature/Film Quarterly, vol. 19, no. 2, 1991.

Welsh, J., “Allen Stewart Konigsberg Becomes Woody Allen: A Comic Transformation,” inLiterature/Film Quarterly, vol. 19, no. 2, 1991.

Quart, L., “Woody Allen’s New York,” inCineaste, vol. 19, no. 2, 1992.

Mitchell, Sean, “The Clown Who Would Be Chekhov,” inTheGuardian(U.K.), 23 March 1992.

Rockwell, John, “Woody Allen: France’s Monsieur Right,” inNewYork Times, 5 April 1992.

Corliss, Richard, “Scenes from a Breakup,” inTime, 31 August 1992.

Cagle, Jess, “Love and Fog,” inEntertainment Weekly, 18 September 1992.

Hoban, Phoebe, “Everything You Always Wanted to Know about Woody and Mia but Were Afraid to Ask,” inNew York, 21 September 1992.

Johnstone, Iain, “Moving Pictures Drawn from Life,” inThe SundayTimes(London), 25 October 1992.

Romney, J. ”Husbands and Wives,” inSight and Sound(London), November 1992.

Perez-Pena, R., “Woody Allen Tells of Affair as Custody Battle Begins,” inNew York Times, 20 March 1993.

Marks, P., “Allen Loses to Farrow in Bitter Custody Battle,” inNewYork Times, 8 June 1993.

Baumgarten, Murray, “Film and the Flattening of American Jewish Fiction: Bernard Malamud, Woody Allen, and Spike Lee in the City,” inContemporary Literature, Fall 1993.

Desser, David, “Woody Allen: The Schlemiel as Modern Philosopher,” inAmerican-Jewish Filmmakers: Traditions and Trends, University of Illinois Press, 1993.

Troncale, J. C., “Illusion and Reality in Woody Allen’s Double Film ofThe Purple Rose of Cairo,” inProceedings of the Conferenceon Film and American Culture, edited by Joel Schwartz, College of William and Mary, 1994.

Romney, Jonathan, “Shelter from the Storm,” inSight and Sound(London), February 1994.

Davis, Robert, “A Stand-up Guy Sits Down: Woody Allen’s Prose,” inShort Story, Fall 1994.

McGrath, Douglas, “If You Knew Woody like I Knew Woody,” inNew York, 17 October 1994.

Deleyto, Celestino, “The Narrator and the Narrative: The Evolution of Woody Allen’s Films,” inFilm Criticism(Meadville), Winter 1994–1995.

Lahr, John, “The Imperfectionist,” inNew Yorker, 9 December 1996.

Romney, Jonathan, “Scuzzballs like Us,” inSight and Sound(London), April 1998.

On ALLEN: film—

Woody Allen: An American Comedy(Harold Mantell), 1978.

作为演员的伍迪·艾伦 By ALLEN: books—

Don’t Drink the Water(play), New York, 1967.

Play It Again, Sam(play), New York, 1969.

Getting Even, New York, 1971.

Death(one-act play), New York, 1975.

God(one-act play), New York, 1975.

Without Feathers, New York, 1975.

Non-Being and Somethingness, New York, 1978.

Side Effects, New York, 1980.

The Floating Light Bulb(play), New York, 1982.

Four Films of Woody Allen(Annie Hall,Interiors,Manhattan,

Stardust Memories), New York, 1983.

Hannah and Her Sisters, New York, 1987.

Three Films of Woody Allen(Zelig,Broadway Danny Rose,The

Purple Rose of Cairo), New York, 1987.

Central Park West(one-act play), New York, 1995.

By ALLEN: articles—

“HowBogartMade Me the Superb Lover I Am Today,” inLife(New York),21 March1969.

“On Love and Death,” inEsquire(New York), 19 July 1975.

Interview with Anthony DeCurtis, inRolling Stone(New York), 16 September 1993.

“So You’re the Great Woody Allen . . . ?,” interview with Bill Zehme, inEsquire(New York), October 1994.

“Play It Again, Man,” interview with Linton Chiswick, inTime Out(London), March 13, 1996.

”Bullets Over BroadwayDanny Rose of Cairo: The Continuous Career of Woody Allen,” interview with Tomm Carroll, inDGA(Los Angeles), May/June 1996.

On ALLEN: books—

Lax, Eric,On Being Funny: Woody Allen and Comedy, New York, 1975.

Yacowar, Maurice,Loser Take All: The Comic Art of Woody Allen, New York, 1979; rev. ed., 1991.

Palmer, M.,Woody Allen, New York, 1980.

Jacobs, Diane,. . . But We Need the Eggs: The Magic of Woody Allen, New York, 1982.

Brode, Douglas,Woody Allen: His Films and Career, New York, 1985.

Pogel, Nancy,Woody Allen, Boston, 1987.

Sinyard, Neil,The Films of Woody Allen, London, 1987.

McCann, Graham,Woody Allen: New Yorker, New York, 1990.

Lax, Eric,Woody Allen, New York, 1992.

Groteke, Kristi,Mia & Woody, New York, 1994.

Bjrkman, Stig,Woody Allen on Woody Allen, New York, 1995.

Blake, Richard Aloysius,Woody Allen: Profane and Sacred, Metuchen, New Jersey, 1995.

Perspectives on Woody Allen, edited by Renee R. Curry, New York, 1996.

Fox, Julian,Woody: Movies from Manhattan, Overlook Press, New York, 1996.

Lee, Sander H.,Woody Allen’s Angst; Philosophical Commentaries on His Serious Films, McFarland & Company, Inc., Jefferson, 1997.

Nichols, Mary P.,Reconstructing Woody: Art, Love, & Life in the Films of Woody Allen,Rowman & Littlefield Publishers, Inc., Lanham, 1998.

On ALLEN: articles—

“Comedians: His Own Boswell,” inTime(New York),13 February1963.

Mee, Charles L., “On Stage Woody Allen,” inHorizon(New York), May 1963.

Zinsser, William K., “Bright New Comic Clowns toward Success: Woody Allen,” inSaturday Evening Post(New York), 21 September 1963.

Schickel, Richard, “The Basic Woody Allen Joke,” inNew York Times Magazine,7 January1973.

Gilliatt, Penelope, “Profiles: Guilty, with an Explanation,” inNew Yorker, 4 February 1974.

Trow, George W. S., “A Film about a Very Funny Man,” inFilm Comment(New York), May/June 1977.

Gelmis, Joseph, “An Allen Overview” (plus critics’s evaluations of three of his films), inNational Society of Film Critics on Movie Comedy, New York, 1977.

Current Biography 1979, New York, 1979.

Gittleson, Natalie, “The Maturing of Woody Allen,” inNew York Times Magazine, 22 April 1979.

Didion, Joan, “Review ofAnnie Hall,Interiors, andManhattan,” inNew York Review of Books, August 1979.

McMurtry, Larry, “Woody Allen: Neighborhood Filmmaker,” inAmerican Film, September 1979.

Maslin, Janet, “Woody Allen: Shunning Mastery?,” inNew York Times, 16 July 1982.

Liebman, R. L., “Rabbis or Rakes, Schlemiels or Supermen? Jewish Identity in Charles Chaplin, Jerry Lewis, and Woody Allen,” inLiterature Film Quarterly(Salisbury, Maryland), vol. 12, no. 3, July 1984.

Neibaur, James L., “Woody Allen,” inMovie Comedians: The Complete Guide, Jefferson, North Carolina, 1986.

Zoglin, Richard, “Manhattan’s Methuselah,” inFilm Comment(New York), May/June 1986.

Morris, Christopher, “Woody Allen’s Comic Irony,” inLiterature Film Quarterly(Salisbury, Maryland), vol. 15, no. 3, 1987.

White, Armond, “Class Clowns,” inFilm Comment(New York), April 1987.

Blansfield, Karen C., “Woody Allen and the Comic Tradition in American,” inStudies in American Humor(San Marcos, Texas), vol. 6, 1988.

Minowitz, Peter, “Crimes and Controversies: Nihilism fromMachiavellito Woody Allen,” inLiterature Film Quarterly(Salisbury, Maryland), vol. 19, no. 2, 1991.

Gabler, Neal, “Film View: Chaplin Blazed the Trail, Woody Allen Follows,” inNew York Times, 27 September 1992.

Combs, Richard, “Little Man, What Now?,” inFilm Comment(New York), July/August 1993.

Gopnik, Adam, “The Outsider,” inNew Yorker, 25 October 1993.

Siegel, Scott, and Barbara Siegel, “Woody Allen,” inAmerican Film Comedy(New York), 1994.

McGrath, Douglas, “Woody’s World,” inNew York, 17 October 1994.

Jefferson, Margo, “Tapping the Funny Bone of American Comics,” inNew York Times, 14 January 1996.

Krohn, Bill, “Spielberg et le fait divers,” inCahiers Du Cinéma(Paris), February 1998.

Romney, Jonathan, “Scuzzballs Like Us,” inSight and Sound(London), April 1998.